Description :
Musicians :
John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, ... [Tout afficher]
Description:
Musicians :
John Coltrane, Max Roach, Quincy Jones, Elvin Jones, Jimmy Garrison, Charles Mingus, Shirley Scott, Yusef Lateef, Archie Shepp, Stanley Turrentine, Earl Hines, Oliver Nelson, Pharoah Sanders, The Ahmad Jamal Trio, Albert Ayler, Charlie Haden, Alice Coltrane, Michael White, Dewey Redman, Marion Brown, John Handy
Deluxe Vinyl 4 LP Box Set Celebrating Impulse ! Records' Vital First Decade; Housed in a Museum Drop-Front Box Set with Magazine Style Booklet and Vinyl Slip Mat
2021 marks the 60th anniversary of the legendary jazz label, Impulse ! Records home to such pioneering jazz artists as John Coltrane, Charles Mingus, Pharoah Sanders, Quincy Jones, and more. As a centerpiece to its year-long celebrations, the imprint takes a look back at its first decade with the release of Impulse Records : Music, Message & The Moment a deluxe vinyl 4 LP box set. Housed in a museum drop-front box set, Impulse Records : Music, Message & The Moment speaks to the political, social, and spiritual elements that were omnipresent in the 60s when Impulse ! and its artists were at their creative heights. In a decade marked by protests, racial and social unrest, and the dismantling of institutions, jazz was an integral part of exploring Black identity and pushing cultural and political boundaries.
Orange and black. Fire and ebony. Fury and pride. Wearing its signature colors proudly and raising its exclamation point high, Impulse ! Records was the go-to label for music that harnessed the searching and political stand-taking of the Sixties. Launched in 1961, Impulse grew to become an inherent part of the era's velocity as well as its volume, pulling jazz into the age of Black Power, Afrocentricity, and Spiritual Expansion. In its balance of tradition and transition, it bridged the golden age of jazz, that brief window from the late Fifties to the Seventies when players representing every jazz era were alive and active from Louis Armstrong to Albert Ayler, from the legends of lore to a new generation of energy players. Impulse treated all its musicians as innovators, revolutionaries even from swing and bebop, to free and Afrofuturist.
The performances on Impulse Records: Music, Message & the Moment draw their staying power from a wide embrace of styles and sounds, as well as a tight focus on a historic moment when the promise of change was in the air and the message of racial harmony was in the music. Today that music has lost none of its relevance : the promise still deferred, the message still on time. The collection highlights musical conversations about civil rights echoed in such albums as John Coltrane's Alabama, Archie Shepp's Attica Blues, John and Alice Coltrane's Reverend King, Charlie Haden and the Liberation Orchestra's We Shall Overcome, and Oliver Nelson's The Rights Of All. It also focuses on themes of spirituality, transcendentalism, and Afrofuturism through the music of Albert Ayler, Pharoah Sanders, John Coltrane, and Alice Coltrane. The historical importance of social music, meanwhile, is reflected in works by artists like Quincy Jones and John Handy.
Rounding out the collection are essays by poet and critic A.B. Spellman "In many ways, this collection is a mural in sound of the activist's stimulation of the Sixties and Seventies... we need this scope of sound again : We need the horns to scream of stout resistance, and we need the bands to sing to us of the righteous beauty of our souls" and critic Greg Tate "A collection celebrating Impulse's deep-digging support of artists who scored We The People's SingFight-ing for social political and artists' self-determination in a critical time of beatdowns, breakthroughs and cosmically-centered aspirations", both of whom offer vital perspectives on the importance of Impulse !, its artists, and its music particularly within the cultural backdrop of the 60s.
[Masquer]
