Description :
- Contemporary Records Acoustic Sounds Series !
- Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !
- Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne ... [Tout afficher]
Description:
- Contemporary Records Acoustic Sounds Series !
- Six key albums from the Contemporary Records catalog reissued on 180 gram vinyl !
- Titles featuring Art Pepper, Barney Kessel, Benny Carter, Hampton Hawes and Shelly Manne !
- Featuring all-analog mastering by Bernie Grundman !
- Pressed at Quality Record Pressings !
- Stoughton Printing old-style tip-on jackets !
- Continuing Craft Recordings' 70th Anniversary celebration of Contemporary Records !
Craft Recordings and Acoustic Sounds are proud to announce the Contemporary Records Acoustic Sounds series, which begins with six album releases from the Contemporary Records catalog, celebrating 70 years of the legendary jazz label. The releases are supervised by Chad Kassem, CEO of Acoustic Sounds, the world's largest source for audiophile recordings.
Each title, originally engineered by Roy DuNann and/or Howard Holzer, features all-analog mastering from the original tapes by legendary engineer Bernie Grundman (himself a former employee of the label), as well as unsurpassed audiophile pressing on 180 gram vinyl at Quality Record Pressings, presented in a Stoughton Printing old-style tip-on jacket.
The series highlights gems from Contemporary's extraordinary catalog and features artists who both defined and expanded the sound of West Coast jazz.
1957's The Poll Winners was the first of five all-star trio sessions featuring the dazzling interplay of guitarist Barney Kessel, drummer Shelly Manne and bassist Ray Brown. For The Poll Winners, Kessel, Manne, and Brown did not record together simply because they all happened to have won first place on their respective instruments in the Down Beat, Playboy, and Metronome polls.
Their collaboration was due to mutual respect, and their sensitivity to one another's musical requirements. Here, in a set composed mainly of pop and jazz standards, they represent the ultimate in their fields, constituting a rhythm section that also provides brilliant solo interludes by all three members. Collectively, Kessel, Manne, and Brown won dozens of polls over the years; this record eloquently tells you why. [Masquer]
