Recorded in July of 1958 and originally released on the London label, cellist Jean-Max Clement performs Six Suites by Johann Sebastian Bach.

"He has an excellent sense of phrasing, and conveys all that one needs of the dance-like character in each movement. The solemn preludes, especially those of the C major and D minor Suites, come off beautifully, and there is plenty of contrast in timbre. Clément can develop a good, sonorous tone on his C and G strings... He certainly enjoys a far better recording acoustic than Cassadó. Jean-Max Clément is playing the arpeggio figures with clarity of technique, excellent tone, and harmonic intent". - The Grammophone Magazine

"The Jean-Max Clément cycle has much to commend it. He’s a communicative player, and whilst some of his tempi are generally on the slower side than we are used to today, the music-making has a spontaneity, leaving the favourable impression of music freshly composed and being created on the wing. He draws a big, rich, full-bodied sound from his instrument, and his varied vibrato endows his playing with a wealth of tonal shadings. He’s not averse to the use of portamenti to obtain a particular expressive effect. Nor is he afraid of applying some tasteful rubato to enhance the line. I love the way he captures the sombre introspection of Suite N° 5, gauging to perfection the ebb and flow of the melancholy Sarabande. To the faster dance movements there’s rhythmic vitality. This is certainly a premier league set, in admirable sound for its age". - Stephen Greenbank, Music Web International