- Verve Records Vault Series !
- Cut from the Original Analog Tape by Ryan K. Smith at Sterling Sound !
- Pressed on 180 gram Vinyl Double LP at Optimal !

Six years after the legendary live sets that yielded two of Bill Evans' best-loved albums for Riverside, Sunday at the Village Vanguard and Waltz for Debby, the influential jazz pianist returned to the same Manhattan jazz club for two nights in 1967, in a rare trio setting with Eddie Gomez on bass and Philly Joe Jones on drums. The recordings were compiled on the perhaps confusingly titled double album, California Here I Come, in 1982, issued two years after Evans' passing. Despite the perceived coastal mix-up, one thing is clear : Evans and his rhythm section were in fine form, delivering unbridled spirit, rhythmic fire and high-energy interplay with each other on readings of standards like, "'Round Midnight", "In a Sentimental Mood", "Stella by Starlight", and the then-new Bacharach / David standout "Alfie".

The Verve Vault series is all-analog, cut from the original master tapes by Ryan K. Smith at Sterling Sound and pressed on 180-gram vinyl.