Dernier arrivage

Concerto In G Minor / Concerto In D Major

Musiciens/Orchestre: 
Jascha Heifetz (violin), The New Symphony Orchestra of London conducted by Sir Malcolm Sargent
Son: 
Stéréo
Grammage: 
200
LPs: 
1
Set Box: 
0
52.00 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound ! Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings ! RCA Living Stereo Reissue Series No. 2, 25 newly-remastered classical mainstays ! Analogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all ! Mastered by Ryan K. Smith at Sterling Sound from the original 2 track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 200 gram platters available. Violinist Jascha Heifetz, playing with the New Symphony Orchestra of London, conducted by Sir Malcolm Sargent. Heifetz was the leading figure among the extraordinary group of Russian Jews who dominated violin playing in the second and third quarters of the 20th century. As a technician he had no superior, and, of all the artists of his time and later, only two or three could even offer a challenge to his electrifying precision of execution. His diamond-point tone and quick vibrato afforded his playing a clarity of line that some felt was almost too perfect, even cold. Most conductors and other violinists and audiences felt differently and a Heifetz concert inevitably drew sell-out crowds.
Titres des morceaux: 
Side A :
Max Bruch - Concerto For Violin And Orchestra N° 1 In G Minor, Op. 26
1. Vorspiel. Allegro Moderato; Adagio
2. Satz : Adagio
3. Satz : Finale. Allegro Energico
Side B :
Wolfgang Amadeus Mozart - Concerto In D Major Nr. 4, KV 218
1. Satz : Allegro
2. Satz : Andante Cantabile
3. Satz : Rondeau
Livré sous 15 jours

Bolero

Musiciens/Orchestre: 
The Boston Symphony Orchestra conducted by Charles Munch
Son: 
Stéréo
Grammage: 
200
LPs: 
1
Set Box: 
0
52.00 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
RCA Living Stereo classical LPs the gold standard for top quality orchestral performance and sound ! Remastered from the original master tape and cut at 33 1/3 RPM by Ryan Smith at Sterling Sound Lacquers plated by Gary Salstrom and pressed on 200 gram vinyl at Quality Record Pressings! RCA Living Stereo Reissue Series No. 2, 25 newly-remastered classical mainstays ! Analogue Productions' RCA Living Stereo Reissue Series No. 2, with 25 newly remastered mainstay classical albums, will delight and astound your ears with their clarity and warm, rich tone. As with our first highly-regarded LSC series, shortcomings of previous editions have been improved upon from the mastering, to the LP pressing, to the sharp-looking glossy heavyweight Stoughton Printing tip-on jackets that faithfully duplicate the original artwork, "Living Stereo" logo, "Shaded Dog" label and all ! Mastered by Ryan K. Smith at Sterling Sound from the original 2 track master tapes, cut at 33 1/3, and plated and pressed at Quality Record Pressings makers of the world's finest-sounding vinyl LPs, no other editions match these for the quietest 200 gram platters available. Charles Munch was the opposite of the "intellectual" school of French conductors, as typified by Pierre Boulez. He was a completely spontaneous artist, which is what made him the great Berlioz conductor of our time, and literally anything could happen when he got up onto the podium. It follows then, that his Ravel is not going to be the sort of hyper-precise, calculated sort of interpretation that many fans of the composer expect, but it will be exciting as hell. These three pieces are shrewdly chosen; they are the composer's most extrovert works, and Munch pulls out all of the stops in his performances of them. A classic recording, and a great memento of a unique artist.
Titres des morceaux: 
Side A :
1. Bolero
2. La Valse
Side B :
1. Rapsodie Espagnole
2. Prelude To the Afternoon of A Faun
Livré sous 15 jours

The Love Unlimited Orchestra The 20th Century Records Singles (1973-1979)

Son: 
Stéréo
Grammage: 
180
LPs: 
3
Set Box: 
0
82.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
Barry White formed the 40 piece "Love Unlimited Orchestra" to serve as a backing unit for himself and the female trio Love Unlimited. The orchestra also recorded singles and albums on their own. The Love Unlimited Orchestra can be seen as the bold gesture of Barry White’s grand vision of love. The Orchestra’s singles between 1973 and 1979 are a joyous complement to White’s work as a solo artist, and as the producer behind Love Unlimited. Featuring all 14 of Love Unlimited Orchestra’s US 7" singles released between 1973-1979, as well as the 12" Single Disco versions of a further 7 tracks, this 3 LP edition is the first compilation to pull together all the group’s A and B sides.
Extrait YouTube: 
https://www.youtube.com/watch?v=0If2j-egRm8
Titres des morceaux: 
Side A :
1. Love's Theme
2. Sweet Moments
3. Rhapsody In White
4. Barry's Theme
5. Theme From Together Brothers
6. Find The Man Bros.
Side B :
1. Baby Blues
2. What A Groove
3. Satin Soul
4. Just Living It Up
5. Always Thinking Of You
6. Forever In Love
7. Only You Can Make Me Blue
Side C :
1. Midnight Groove
2. It's Only What I Feel
3. My Sweet Summer Suite
4. Theme From King Kong (Part 1)
5. Theme From King Kong (Part 2)
Side D :
1. Brazilian Love Song
2. Hey Look At Me, I'm In Love
3. Whisper Softly
4. Don't You Know How Much I Love You
5. Theme From "Shaft"
6. Theme From "Superman"
Side E :
1. My Sweet Summer Suite (Disco Version)
2. Theme From King Kong (Disco Version)
3. Blues Concerto
4. Brazilian Love Song (Disco Version)
Side F :
1. Don't You Know How Much I Love You (Disco Version)
2. Hey Look At Me, I'm In Love (Disco Version)
3. Theme From "Shaft" (Disco Version)
4. Theme From "Superman" (Disco Version)
Livré sous 15 jours

Both Directions at Once : The Lost Album Deluxe

Musiciens/Orchestre: 
John Coltrane (saxophone), McCoy Tyner (piano), Jimmy Garrison(double bass), Elvin Jones (drums)
Son: 
Stéréo
Grammage: 
180
LPs: 
2
Set Box: 
0
69.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Informations complémentaires: 
DISPONIBILITÉ : 30/06/2018 (sous réserve Impulse Records)
Description: 
Previously Unheard John Coltrane Recordings from 1963 with McCoy Tyner, Jimmy Garrison, and Elvin Jones : Both Sides at Once: The Lost Album Deluxe Ed. 2 LP Set Includes 7 Bonus Tracks. Sonny Rollins nails the significance and thrill of Both Sides at Once: The Lost Album, a previously unheard John Coltrane recording captured at Van Gelder Studios at the end of a two-week stint at Birdland in 1963 : "[It's] like find a new room in the Great Pyramid", he says in the liner notes. Once you experience Coltrane, McCoy Tyner, Jimmy Garrison, and Elvin Jones in peak form, you're certain to agree. Unknown until 2004 and unheard until now, the music on this album represents one of the most influential groups in music history both performing in a musical style it had perfected. Coltrane personally decided to stash away the material, which was ultimately lost to time until it was discovered by the family of his first wife and brought to the attention of Impulse! It is impossible to overstate the breadth, spirit, musicianship, and sound of these recordings, two of which are originals that were captured on tape here and here alone. The Deluxe Edition of the album also includes seven alternate takes of the tracks from the same session, including four renditions of "Impressions". The first week of March in 1963 was busy for John Coltrane. He was in the midst of a two-week run at Birdland and was gearing up to record the famed John Coltrane and Johnny Hartman album, which he did on March 7. But there was a session the day before that was the stuff of legend, until now. On Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in Englewood, NJ and cut a complete album's worth of material, including several original compositions that were never recorded elsewhere. They spent the day committing these to tape, taking time with some, rehearsing them two, three times, playing them in different ways and in different configurations. At the end of the day, Coltrane left Van Gelder Studios with a reference tape and brought it to the home in Queens that he shared with his wife, Naima. These tapes remained untouched for the next 54 years until Impulse! approached the family about finally releasing this lost album. Though the master tape was never found – Rudy Van Gelder wasn't one for clutter the reference tape was discovered to be in excellent condition. On this album, there are two completely unknown and never-before-heard originals. "Untitled Original 11383" and "Untitled Original 11386", both played on soprano sax. "11383" features an arco bass solo by Jimmy Garrison, a relative rarity, and "11386" marks a significant structural change for the quartet, in that they keep returning to the theme between solos, not typical in the quartet's repertoire. In addition to the two unheard originals, "One Up, One Down" released previously only on a bootleg recording from Birdland is heard here as a studio recording for the first and only time. It contains a fascinating exchange between Elvin Jones and Coltrane. "Impressions", one of Coltrane's most famous and oft-recorded compositions, is played here in a piano-less trio. In fact, McCoy Tyner lays out a number of times during this recording session. It's one of the more interesting aspects of this session and reflects the harmonic possibilities that Coltrane was known to be discussing regularly with Ornette Coleman around this time. This studio session also yielded Coltrane's first recording of "Nature Boy", which he would record again in 1965, and the two versions differ greatly. The one we know is exploratory, meandering. This version is tight, solo-less and clocking in at just over three minutes. The other non-original composition on the album is "Vilia", from Franz Lehár's operetta "The Merry Widow". The soprano version on the Deluxe Edition is the only track from this session to have been previously released. This incredible, once-in-a-lifetime discovery reveals a number of creative balances at work, like developing original melodies while rethinking familiar standards. Trying out some tunes first on tenor saxophone, then on soprano. Using older techniques like the arpeggio runs of his "sheets of sound" while experimenting with false fingerings and other newer sounds. This session was pivotal, though to call it such overlooks the fact Coltrane was ever on pivot, always pushing the pedal down while still calling on older, tested ideas and devices.
Extrait YouTube: 
https://www.youtube.com/watch?v=ZCe7xEns-Qg
Titres des morceaux: 
Side A :
1. Untitled Original 11383
2. Nature Boy
3. Untitled Original 11386 (Take 1)
4. Vilia
Side B :
1. Impressions (Take 3)
2. Slow Blues
3. One Up, One Down (Take 1)
Side C :
1. Vilia
2. Impressions
3. Impressions
4. Impressions
Side D :
1. Untitled Original 11386
2. Untitled Original 11386
3. One Up, One Down
Pré-Commande

Studio Albums Vinyl Collection 1971-2016 (Numbered Limited Edition Half-Speed Master 180 LP Box Set + Postcard Inserts + Numbered Certificate of Authentication + Download Code)

Son: 
Stéréo
Grammage: 
180
LPs: 
20
Set Box: 
Set Box
599.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
The Studio Albums Vinyl Collection 1971-2016 limited edition box set ! Mammoth collection comprises 15 albums released since 1971 Remastered and cut at half-speed at Abbey Road Studios Sourced from the original master tapes, pressed on 180 gram black vinyl Individually numbered, limited edition with replicated original packaging Set includes download codes for high-quality digital album versions In 1969, the Rolling Stones may have famously said you can't always get what you want but if what you want is every studio album they released after that proclamation, this is your opportunity ! The band has announced a mammoth new limited-edition box set, The Studio Albums Vinyl Collection 1971-2016, due on June 15, 2018. The collection comprises all 15 albums the Stones have released since 1971 remastered and cut across 20 LPs at half speed at Abby Road Studios beginning with their triple-platinum No. 1 record Sticky Fingers, which has already seen an expanded reissue, to their 2016 Grammy-winning Blue & Lonesome, the Stones' tribute to classic blues and their most recent studio offering. Each album will include reproductions of their original art and packaging, featuring the cover cutouts of Some Girls, Sticky Fingers' Andy Warhol design and Exile on Main St.'s 12 insert postcards. The set comes with download codes for high-quality digital album versions, as well as a numbered certificate of authentication. The Rolling Stones entered their imperial phase in 1971 with Sticky Fingers. What followed is a run of albums that couldn't have happened at any other time, by any other band: the decadent excess of Exile On Main St, the Jamaican voodoo swamp of Goats Head Soup, the disco and punk-infused prowl of Some Girls. With each new decade, the Stones evolved while staying true to their roots, coming full circle in 2016 with Blue & Lonesome, a love letter to their first inspiration: the blues. The Studio Albums Vinyl Collection 1971-2016 presents this monumental era in rock'n'roll history in a highly bespoke, lenticular mounted, limited edition box-set housing the 15 studio albums from Sticky Fingers through to Blue & Lonesome in faithful and intricate original packaging replications. Cut at half speed, these are among the highest quality vinyl pressings that these classic Rolling Stones albums will have ever received. Half speed mastering and pressed to a very high standard ensures top notch sound quality for the listener. Special care has been taken to create packaging to the same high standards, with detailed artwork reproduction for each album including Some Girls, which comes housed in the replica design including 20 cut-outs on the cover, while the sleeve of Sticky Fingers is presented as Andy Warhol's original design, complete with a working zip with a hidden image underneath and Exile On Main Street comes with a set of 12 original postcard inserts.
Titres des morceaux: 
Sticky Fingers - 1971
Exile On Main St (2 LP) - 1972
Goats Head Soup - 1973
It’s Only Rock’n’Roll - 1974
Black And Blue - 1976
Some Girls - 1978
Emotional Rescue - 1980
Tattoo You - 1981
Undercover - 1983
Dirty Work - 1986
Steel Wheels - 1989
Voodoo Lounge (2 LP) - 1994
Bridges To Babylon (2 LP) - 1997
Bigger Bang (2 LP) - 2005)
Blue & Lonesome (2 LP) - 2016
Pré-Commande

Live / Electric Music

Son: 
Stéréo
Grammage: 
180
LPs: 
1
Set Box: 
0
39.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Informations complémentaires: 
DISPONIBILITÉ : 30/06/2018 (sous réserve Speakers Corner)
Description: 
Limited edition 50th anniversary reissue of Steve Reich's first album for Columbia Masterworks ! Cut from the original analog tapes by Ryan Smith at Sterling Sound ! 180 gram LP plated and pressed at RTI ! Housed in a Stoughton old style tip-on jacket with watercolor cover by William T. Wiley. Never before reissued in any format unavailable since it's original release in 1968. "Where it all began, when Reich was playing around with a tape loop of a revivalist preacher shouting “It’s gonna rain !”, playing it back simultaneously on two machines, one running slightly faster than the other. As the two tapes moved out of phase, and eventually back together again, he noticed the teasingly ambiguous range of rhythmic and tonal effects created. It became the basis of a tape piece, and phasing was born". - The Guardian UK Steve Reich, born in 1936, is an American composer credited as on of the pioneers of minimal music, alongside contemporaries such as Philip Glass and La Monte Young. His innovations in exploring musical concepts have been a significant influence on contemporary music. Live / Electric Music, originally released on Columbia Records in 1968, is made up of two compositions “Violin Phase”, composed in New York in October of 1967, and “It’s Gonna Rain”, composed in San Francisco in January of 1965. “Violin Phase”, found on Side A of the album, features violinist Paul Zukofsky. “It’s Gonna Rain”, found on Side B, is Reich's first tape piece and foundation of what he would build upon in future compositions.
Titres des morceaux: 
Side A :
1. Violin Phase
Side B :
1. It's Gonna Rain
Pré-Commande

Great Movie Sounds of John Barry

Son: 
Stéréo
Grammage: 
180
LPs: 
1
Set Box: 
0
34.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Informations complémentaires: 
DISPONIBILITÉ : 30/06/2018 (sous réserve Speakers Corner)
Description: 
He had them all, the James Bond girls and the incomparably smart Sean Connery. But also Marlon Brando, Michael Caine, Robert Redford and Jane Fonda, who all more or less danced after the director's pipe, acted certainly with his music in their ears. John Barry started his career in the most British manner possible as a film composer in the service of Her Majesty Queen Elizabeth. The characteristic "Bond Theme" for Dr. No, with its mysterious, clacking guitar trailer supported by powerful brass, was indispensable for all following films and rang in the ears of the villains and their henchmen for all time. Alongside the fully orchestrated numbers from the James Bond films, the album offers a wealth of very different music, such as the collage-like "The Chase" with its intense "walking" sound and the melancholy theme from "King Rat". Barry lets the flutes rise up with airy and and subtle clouds of dissonant chords ("Séance On A Wet Afternoon"), creates barbed motives out of gentle sounds ("The Ipcress File") and rolls out a warm carpet of strings for the programmatic terrain of "Born Free", a true adventure story set in a game ward in Africa. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid. Recording : 1963 - 1966 Production : John Barry
Titres des morceaux: 
Side A :
1. Thunderball
2. 007
3. Goldfinger
4. Mr. Kiss Kiss Bang Bang
5. From Russia With Love
6. The James Bond Theme
Side B :
1. The Chase
2. Theme from King Rat
3. The Knack
4. Seance On A Wet Afternoon
5. Ipcress File
6. Theme From Born Free
Pré-Commande

Brubeck Time

Musiciens/Orchestre: 
Dave Brubeck (piano), Paul Desmond (alto saxophone), Bob Bates (bass), Joe Dodge (drums)
Son: 
Stéréo
Grammage: 
180
LPs: 
1
Set Box: 
0
34.50 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Informations complémentaires: 
DISPONIBILITÉ : 31/07/2018 (sous réserve Speakers Corner)
Description: 
Only a very few artists managed to produce a personal, recognizable sound on the alto saxophone in the whole of the 100 years history of jazz : Charlie Parker, Johnny Hodges, Lee Konitz and Ornette Coleman and a couple of others are among them. The maestro of lyrical expression was undoubtedly Paul Desmond. Alongside the seldom swinging, often static block chords of his boss, he managed to preserve his light, floating and flowing style, which he demonstrates so well on this recording made in the Basin Street Club and in the large Columbia Studio in New York in 1954. All the numbers are well known to jazz lovers from 1954 to 2018, but they are not always recognizable at the first hearing. Appreciation ? Mili Gijon, the self-named expert, photograph and filmmaker, had his difficulties not just with the track "Stompin' For Mili", which eternalized him. That was supposed to be jazz ? We jazz fans, who have not always been spoilt with lovely sounds with and after Ornette Coleman, can enjoy every note. Bassist Bob Bates and drummer Joe Dodge produce an excellent drive, even though they were later replaced by Gene Wright and Joe Morello. A wealth of glorious swing, excitement in every bar, and a sound that can't be bettered is what the listener can expect from these three live and four studio recordings from a year in which even West Coast jazz found recognition in New York. This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid. Recording : October and November 1954 at 30th Street Columbia Studios, New York Production : George Avakian
Titres des morceaux: 
Side A :
1. Audrey
2. Jeepers Creepers
3. Pennies From Heaven
4. Why Do I Love You
Side B :
1. Stompin' For Mili
2. Keepin' Out of Mischief Now
3. A Fine Romance
4. Brother, Can You Spare A Dime
Pré-Commande

Symphony N° 5 and Karelia Suite

Musiciens/Orchestre: 
The London Symphony Orchestra conducted by Alexander Gibson
Son: 
Stéréo
Grammage: 
200
LPs: 
1
Set Box: 
0
52.00 €
RPM: 
33
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
Alexander Gibson conducting the London Symphony Orchestra. Large, notably transparent soundstage on this recording, in which the orchestra is set back farther than the usual Decca/RCA. Recorded by renowned Decca audio engineer Kenneth Wilkinson.
Titres des morceaux: 
Side A :
1. Symphony N° 5 In E-Flat, Op. 82
2. First Movement : Tempo Molto Moderato
3. Second Movement : Andante Mosso Quasi Allegretto
Side B :
1. Third Movement : Allegro Molto
Karelia Suite, Op. 11
2. Intermezzo
3. Ballade
4. Alla Marcia
Livré sous 15 jours

Where Did Everyone Go ?

Son: 
Stéréo
Grammage: 
200
LPs: 
2
Set Box: 
0
89.50 €
RPM: 
45
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
Sélection AAD
Description: 
Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 3200 word essay by Chris Hall on the album and a 1200 word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title. Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !". - David W. Robinson, Positive Feedback, Issue 52 "As this series of Nat 'King' Cole LPs, pressed on two 45 RPM discs, concentrates on his golden era, you know what to expect: perfect sound quality, breathtaking arrangements, tasteful material and that voice. Aaah! That voice !". Sound Quality = 95 % out of 100 % - Ken Kessler, HiFi News, November 2010 "...the Nat King Cole LPs are astonishingly beautiful, particularly played through my new Wilson Maxx3's. They make me cry". - Max Paley, Acoustic Sounds customer In what some consider his last great album prior to his tragic passing, Nat "King" Cole approached the dramatic dark side of love in the spirit of Sinatra's saloon songs to timeless, haunting effect with the album Where Did Everyone Go ? The distinctive orchestrations of Gordon Jenkins for strings accompany the intimately expressive and supremely musical voice of the incomparable Nat "King" Cole in such classic songs as "Someone To Tell It To", "I Keep Going Back To Joe's", "Spring Is Here", "The End Of A Love Affair" and other reflections of one who had and now has not. Nat "King" Cole and arranger Gordon Jenkins followed their hit albums Love Is The Thing and The Very Thought Of You with this striking shift toward the dramatic. The result again stands among its era's finest, most stylistically defining recordings of popular music and still retains its grand sense of tragedy and beauty. Using the original first generation 3-track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3 track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings. Two bonus tracks recorded for the album, "A Farewell to Arms" and "Happy New Year", are included in this double 45 RPM 180 gram album set for their first release in original production quality. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 3200 word essay by Chris Hall on the album and a 1200 word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.
Titres des morceaux: 
1. Where Did Everyone Go ?
2. Say It Isn't So
3. If Love Ain't There
4. (Ah, The Apple Trees) When The World Was Young
5. Am I Blue ?
6. Someone To Tell It To
7. The End Of A Love Affair
8. I Keep Goin' Back To Joe's
9. Laughing On The Outside (Crying On The Inside)
10. No, I Don't Want Her
11. Spring Is Here
12. That's All There Is
13. Farewell To Arms
14. Happy New Year
Livré sous 15 jours

Just One Of Those Things

Son: 
Stéréo
Grammage: 
200
LPs: 
2
Set Box: 
0
89.50 €
RPM: 
45
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
Sélection AAD
Description: 
Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2200 word essay by Jordan Taylor on the album and a 1200 word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title. "...in terms of sound, the originals are a distant second to these 45 RPM LPs. Cole's voice is up front, and the accompaniment, especially the massed strings, has a colorful vividness". - Marc Mickelson, The Audio Beat, September 2010 Analogue Productions' Blue Note and Nat "King" Cole Reissues WIN A Positive Feedback 2010 Brutus Award ! "...if you haven't picked up every one of the Blue Note and Nat King Cole reissues from Chad Kassem and company at Acoustic Sounds, you're really missing out !". - David W. Robinson, Positive Feedback, Issue 52 "...the originals are a distant second to these 45 RPM LPs. Cole's voice is up front, and the accompaniment, especially the massed strings, has a colorful vividness... Recordings this revealing offer new ways of evaluating everything about the recording sessions, and both sets hold up under the scrutiny...All of Analogue Productions' Nat 'King' Cole releases go the extra mile. They come with well-done booklets that discuss in detail each album's history and the remastering wizardry responsible for their sonics". - Marc Mickelson, The Audio Beat, September 5, 2010 "...the Nat King Cole LPs are astonishingly beautiful, particularly played through my new Wilson Maxx3's. They make me cry". - Max Paley, Acoustic Sounds customer Contrasting downbeat ballads with an ironic brassy, upbeat big band attitude, the ironic Cole Porter standard Just One Of Those Things sets the tone for a distinctive, pungent experience of love and disillusionment with a swing. Brilliantly backing the intimately expressive and supremely musical voice of the incomparable Nat "King" Cole, a big band with no "strings" smolders, swings, saunters, storms, sighs and sizzles with the arrangements of the distinctive Billy May. Featuring top shelf interpretations of "These Foolish Things," "Who's Sorry Now ?" "The Party's Over" and more, this album is among its era's finest recordings of popular music and its quality, style and spirit remains unexcelled. Using the original 3 track session tapes from Capitol's vaults and all-analogue systems including custom headstacks, 3 track preview heads, console and monitoring chain installed at AcousTech specially for these releases, mastering engineers Kevin Gray and Steve Hoffman realize the stunning beauty of these recordings. A superb track recorded for the album, "You'll Never Know", which was omitted due to space constraints, is included in this double 45 RPM 180 gram album set. Included with this deluxe reissue is a striking six-panel booklet complete with rare photos, a 2200 word essay by Jordan Taylor on the album and a 1200 word essay by Michael Fremer about the remastering process. This truly is a no-expenses-spared project, resulting in the ultimate version of this title and a historic reissue.
Titres des morceaux: 
1. When your Lover Has Gone
2. A Cottage For Sale
3. Who's Sorry Now ?
4. Once in a While
5. These Foolish Things Remind Me of You
6. Just for the Fun of It
7. Don't Get Around Much Anymore
8. I Understand
9. Just One of Those Things
10. The Song is Ended (But the Melody Lingers On)
11. I Should Care
12. The Party's Over
13. You'll Never Lnow (Bonus Track)
Livré sous 15 jours

Symphonie Fantastique

Musiciens/Orchestre: 
The London Symphony Orchestra conducted by Sir Eugene Goossens
Son: 
Stéréo
Grammage: 
200
LPs: 
2
Set Box: 
0
89.50 €
RPM: 
45
Edition limitée: 
Edition limitée
Fin de série: 
0
Sélection AAD: 
0
Description: 
The exceptional sound of Everest 35 mm Magnetic Film Recordings returns ! Ten Everest titles, each a 2 LP 45 RPM release ! 45 RPM versions have never been issued ! Mastered directly from the original 35 mm magnetic film using an "all tube" cutting system ! Pressed on Classic's 200 gram Super Vinyl Flat Profile at Quality Record Pressings Sets come with Stoughton Printing tip-on old style original jacket artwork and Everest Records-branded jacket The two LPs are packaged in a protective clear sleeve Among Classic Records' highlight accomplishments before the label sold in 2010 to Acoustic Sounds was unlocking the audio majesty of the Everest 35 mm magnetic film recordings on a groundbreaking reissue series. Now, return with us, as Classic Records by Analogue Productions returns this vintage audiophile collection to its rightful glory. Everest LPs through the early 1960s were recorded on 3 channel 35 mm magnetic film recording equipment. 35 mm magnetic film yielded greater fidelity and less noise than standard 1/4" recording tape. The Westrex Corporation built special equipment to Everest's specifications to accomplish these advantages. Fast forward to today: Classic Records by Analogue Productions is resurrecting this collection through an initial 10 title reissue series. Bernie Grundman cut the Classic Records reissues at both 33 and 45 RPM the 45 RPM versions have never been reissued ! Quality Record Pressings 200 gram flat profile LPs. These records are pressed with a flat-edge, no groove-guard flat profile, like the originals. The flat edge refers to the absence of a raised, beaded lip on the outer edge of the record, providing a flat playing surface and no incline on your turntable. Quality Record Pressings' quality is legendary and these flat profile 200 gram platters will look and sound exceptional ! Each 2 LP set comes with an original Stoughton Printing tip-on jacket and an Everest Records branded jacket showing photos of each reissue title. The two LPs are packaged in a protective clear sleeve. Berlioz : Symphonie Fantastique by London Symphony Orchestra, Sir Eugene Goossens conductor. Another of the fabulous Goossens' efforts conducting the London Symphony Orchestra in a rousing performance of this Berlioz masterpiece. The performance, full of imaginative and brilliant orchestral sounds is wonderfully complemented by the 35 mm sound which has a textural richness that is more realistic than any other tape format. This Bert Whyte recording is from Walthamstow Assembly Hall in London the same hall used extensively by the Decca and Kenneth Wilkinson.
Titres des morceaux: 
1. 1st Movt.: Dreams, Passions
2. 2nd Movt.: A Ball
3. 3rd Movt.: Scene In The Fields
4. 3rd Movt.: (Cont.) Scene In The Fields
5. 4th Movt.: March To The Scaffold
6. 5th Movt.: Dream Of A Witches' Sabbath
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